All Friedrich Johann Overbeck 's Paintings

The Painting Names Are Sorted From A to Z
Usually people can find a painting's picture with different colors. We just upload all of them here.
They are just the options for you and you can choose the best one or the one with your favorite colors.

Choice	ID	Image	Painting (From A to Z)	Details
	33904		Italia and Germania	mk87 1828 Oil on canvas 94.4x104.7cm Munich,Neue Pinakothek
	62819		Italia and Germania after	1828 Oil on canvas, 95 x 105 cm Gemeldegalerie, Dresden This is a copy by the artist of the original (presently in the Neue Pinakothek, Munich) painted in Rome between 1811 and 1828.
	1085		Joseph Being Sold by His Brothers	1816
	62851		Morning in the Riesengebirge	1810-11 Oil on canvas, 108 x 170 cm Nationalgalerie, Berlin With his friend Kersting he had made a tour of the mountainous area near Dresden known as 'Saxon Switzerland', in the summer of 1810. Morning in the Riesengebirge, painted shortly afterwards, is another exposition of his theme of the cross on a peak. It may be seen as a sort of continuation of the Tetschen Altar. The planes of earth and sky, representing the bodily and the infinite, are bridged by the crucifix, lit by the morning sun. Artist: FRIEDRICH, Caspar David Title: Morning in the Riesengebirge , painting Date: 1801-1850 German : landscape
	23445		The Adoration of the Magi (nn03)	1813 Oil on panel 49.7 x 66 m 19 1/2 x 26 in Kunsthalle Hamburg
	1091		The Adoration of the Magi 2	1813
	62852		The Cross in the Mountains	1812 Oil on canvas, 45 x 37 cm Museum Kunst Palast, Desseldorf Visions of Gothic architecture appear regularly in the artist's work from Winter Landscape with Church (1811, Dortmund), rising like a man-made enigma in a mysterious landscape scenario. An example is provided by The Cross in the Mountains, which can be dated fairly confidently to 1812, and which has long been viewed as a further development of the Tetschen Altar. The rough and rocky terrain of the foreground surrounds a spring, behind which, within an indeterminate space, rise a dark wall of fir trees and the gabled faeade of a Gothic church, reduced to a shadowy silhouette. A wayside calvary marks the border between foreground and back- ground. The logic of space and time seems to have been abandoned in this painting in favour of the unreality of a dream. Artist: FRIEDRICH, Caspar David Title: The Cross in the Mountains , painting Date: 1801-1850 German : landscape

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